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Margaret Huber

Drawing Exhibition at Sheffield Institute of Arts
























A collection of my train tickets and a few visual diaries were included in this show.

Black Bile in a Jean Jacket















See more of my crochet dollies at margarethuber.com

Fur Balls















From Uncle Pony's collection of fur balls. See more of his lovely things at margarethuber.com

Life Saving















There are more crochet medals on my website.

Free Ride




















You can see more tickets at DAY RETURN TO BRIGHTON or on my website MARGARETHUBER.COM

Fresh Start















See more pages from my visual diary at margarethuber.com
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Margaret Huber
I teach at the University of Brighton where I am the course leader for MA Sequential Design/Illustration and MA Arts & Design by Independent Project. I also work with art and design students, teaching classes in visual diaries, mapping and self-publishing through the BA Extension Studies programme, and supervise two PhD students. I am originally from America but now live in London.
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My Website

  • MY WEBSITE
  • Day Return To Brighton
  • Uncle Pony's Scrapbook
  • Graham Rawle
  • Niff Actuals

Archive

  • November (1)
  • July (1)
  • February (2)
  • September (2)

VISUAL DIARY

Some pages in my diary are a real mess, but occasionally a door seems to open and something steps through, an idea or observation that sums up my day or a starting point for future work. I take my diary places I both do and don’t want to go. It helps me to get through meetings I’d rather not attend and keeps me company when visiting the dentist. I take it to restaurants in case I overhear anything interesting and on tiny adventures to coffee shops and museums. It’s also a favourite place to draw & paint while sitting in front of the TV. I enjoy the methodical approach to visual diary keeping; being able to turn the page to start again opens up the potential for new thinking.

DAY RETURN TO BRIGHTON

'Day Return to Brighton' is an ongoing diary project of now close to a thousand drawings on used train tickets from my daily commute from London to Brighton.  When I started the series I set a few ground rules to help me remember what was important in the work.  I limited the drawing materials to pencil, pen (black and blue ink only) and Tipp-Ex (white correction fluid), which keeps the project portable.  I never throw tickets away:  if I make a mistake I keep working on it until I'm left with something I like or can use, which might mean ending up with a virtually black ticket if things go badly wrong.  For the most part I try to work with the mistakes, remembering that I'm allowed some less than wonderful tickets over the long haul.  Also, every ticket used in the series must be mine, and only those used for my daily commute to Brighton.  This reinforces my initial objective, which was to try to find a positive way to acknowledge the time and money invested in commuting.  Each ticket represents one day of my working life.

CROCHET: MEDALS & SEPARATES

This work is new for me. To start, I don't really know how to crochet but am gradually learning a few things as I go along. Nothing is really planned, as I am enjoying the surprise of not knowing what I'm making.

The Life Saving, Gymnast and Excellence award medals come from the idea that the need to succeed can be a burden. The date and time medals are about my personal history, and this work relates more to my visual diary work. The most recent 'Separates' are a collection of dressed objects (dollies).